The Art of History Making

History, it has been wisely observed, is what has been bestowed upon us by the victors of some ideology.  Broadly speaking, that which is so generously and glowingly offered does not prove the victors were necessarily smarter, stronger or blessed by god, but too often serves to disguise their devotion to deceit and savagery as some example of their righteousness.

The history of humanity is largely about the repeated crises caused by power-lust and opposition to it, with the victor always claiming—or at least inferring—rule attained by divine favoritism.  That might be said true only to the degree that the human species is the most cunning and vicious species of the animal kingdom.  History books and scriptural works seem to confirm that such a means of determining fitness to rule is approved by Heaven.

Among the mountainous piles of histories few lines about the silent (victimized) majority ever get included.  (Which is why this author, not a historian in the accepted toe-the-line academic sense, searched out the information that became Time Frames and Taboo Data.)  The victors then strut across the supply lines of the real producers of a unified social life while pretending elitism as they clutch the throats of journalists, chroniclers and compilers of archives, and thereby extort wealth from the real producers in society to build monuments to themselves.

 Trying to hear some objecting sounds from the voiceless majority by any chronicler seeking honesty is a practice in self-inflicted frustration.  The result, too often, is the slow draining away of one’s faith in Truth.  History is then accepted more as an instrument of exclusion, exaggeration and pretense.  Accuracy in presenting the victor’s rise to power then gets assessed with indifference, and thus the academic books contain many errors and contrived “reporting.”  And time tends to dilute the lies, which aids and abets the deceivers, allowing them to escape the responsibility for proving the legitimacy of their claims. 

This art of making history is seen in accelerated form in today’s high-tech world of television, internet and cell phones.  Tyrants still claim divine right or blessing to tyrannize the masses, still churn out in-your-face lies, and still destroy as much genuine justice and rights of individuality as possible.  Examples:  Iran and its so-called Supreme Leader and theocratic constitution; Afghanistan and its Taliban twist on the Quran and opium trade; Mexico and its Catholicism and murderous drug tsars; the United States and its delusional religionists and the demented tea-baggers; etc., etc.

There is another unfortunate thing about any history book: that is the fact that no language can represent the reality as experienced by all persons.  That catch-22 should not cause us to give up the pursuit of truth, however, for it is in that pursuit that man’s diverse societies open themselves to broader acceptance and tolerance—the keys to enlightenment. 

So we must face the reality that only the actors change, the script repeated in only slightly modified form, and little, if anything, of spiritual value ever seriously touched upon.

One Response to “The Art of History Making”

  1. If only more people could see it this way. Would make things a lot better for sure!

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: